https://initiartmagazine.com/2021/08/17/wiyu-wahono-collecting-in-the-spirit-of-the-times/https://initiartmagazine.com/wp-content/uploads/2020/08/ryoji-ikeda-datatron-e1502268254323.jpgRyoji-Ikeda-datatron-e1502268254323https://initiartmagazine.com/wp-content/uploads/2020/08/homosapiens-bersuling-e1502268545443.jpgHomosapiens-bersuling-e1502268545443https://initiartmagazine.com/wp-content/uploads/2020/08/forest-from-forest-by-takashi-kuribayashi-2.jpgForest-from-Forest-by-Takashi-Kuribayashi-2https://initiartmagazine.com/wp-content/uploads/2020/08/15-wiyu-wahono-indonesia-file-from-collector-photo-by-indra-leonardi-e1502344179107.jpgWiyu-Wahono-IndonesiaPortrait of Wiyu Wahono (Courtesy of Wiyu Wahono)2022-03-29T12:35:01+00:00monthlyhttps://initiartmagazine.com/2017/06/09/video-talk-mark-bradfords-artist-tour-at-pavilion-of-united-states-venice-biennale-2017/https://initiartmagazine.com/wp-content/uploads/2022/03/mark-bradford_us-pavilion-2017.pngMark Bradford_US Pavilion 20172022-03-29T12:25:45+00:00monthlyhttps://initiartmagazine.com/2022/02/27/collector-lourdes-samson/https://initiartmagazine.com/wp-content/uploads/2020/08/6g2a9065-1600x1067-1.jpgMike and Lourdes Samson2022-03-29T12:06:14+00:00monthlyhttps://initiartmagazine.com/2021/10/28/collector-qiao-zhibing/2022-03-29T12:05:41+00:00monthlyhttps://initiartmagazine.com/2017/06/21/video-talk-tintin-wulias-1001-martian-homes-at-venice-biennale-2017/https://initiartmagazine.com/wp-content/uploads/2022/03/tintin-walia.pngTintin Walia2022-03-29T11:51:15+00:00monthlyhttps://initiartmagazine.com/2017/07/19/video-talk-in-a-world-of-audio-with-christian-marclay/2022-03-29T11:44:17+00:00monthlyhttps://initiartmagazine.com/2017/07/29/video-talk-xavier-veilhan-on-creating-a-recording-studio-for-french-pavilion/2022-03-29T11:41:03+00:00monthlyhttps://initiartmagazine.com/2017/07/18/xavier-veilhan-christian-marclay-on-studio-venezi/2022-03-29T11:31:14+00:00monthlyhttps://initiartmagazine.com/2016/07/12/the-collectors-house-hans-op-de-beeck/https://initiartmagazine.com/wp-content/uploads/2020/07/hans-op-de-beeck-the-collectors-house-6.jpgHans-Op-de-Beeck-The-Collectors-House-62020-08-02T11:31:24+00:00monthlyhttps://initiartmagazine.com/2011/03/22/hans-op-de-beeck/https://initiartmagazine.com/wp-content/uploads/2020/07/hans_op_de_beeck_christophe-vander-eecken-1.jpgHans_Op_de_Beeck_Christophe Vander Eeckenhttps://initiartmagazine.com/wp-content/uploads/2020/07/hodb2-1.jpgHODB22020-08-02T11:31:16+00:00monthlyhttps://initiartmagazine.com/2013/06/18/myriam-amaury-de-solages/https://initiartmagazine.com/wp-content/uploads/2013/06/img_5194l.jpgIMG_5194L2020-08-02T11:28:02+00:00monthlyhttps://initiartmagazine.com/2016/04/20/dr-uli-sigg-what-if-he-didnt-donate-the-sigg-collection-to-m/https://initiartmagazine.com/wp-content/uploads/2020/07/uli-sigg-e1461809261375-1600x1067-1.jpgUli-Sigg2020-08-02T11:21:46+00:00monthlyhttps://initiartmagazine.com/2018/09/02/barbara-pollack-on-the-post-passport-generation-of-chinese-artists/https://initiartmagazine.com/wp-content/uploads/2020/08/tianzhuochen232.jpgTianzhuoChen232ADAHA II, Performance live at Palais De Tokyo, 2015 Photo: ©CG Walkins & Dai Xiaoy Courtesy: the artist and Mabsociety, Shanghai2020-08-02T11:21:32+00:00monthlyhttps://initiartmagazine.com/2017/10/22/elmgreen-and-dragset-on-istanbul-biennial-and-disrupting-power-structures/2020-08-02T11:21:09+00:00monthlyhttps://initiartmagazine.com/2010/09/10/saadane-afif/https://initiartmagazine.com/wp-content/uploads/2020/07/saadaneafif.jpgSaadaneAfif2020-08-02T11:20:04+00:00monthlyhttps://initiartmagazine.com/2019/03/28/collectors-talk-enough-is-never-enough/https://initiartmagazine.com/wp-content/uploads/2020/08/enough-is-never-enough-key.jpgEnough Is Never Enough KeyEnough Is Never Enough - Collectors' Talk with Kim Camacho, Richard Koh, Arjuna Rajasingham. Moderated by Selina Ting2020-08-02T11:19:11+00:00monthlyhttps://initiartmagazine.com/2019/03/26/collectors-talk-reshaping-a-collection/https://initiartmagazine.com/wp-content/uploads/2019/03/reshaping-a-collection-1.jpgReshaping a collection 12020-08-02T11:18:30+00:00monthlyhttps://initiartmagazine.com/2018/04/05/eugene-tan/https://initiartmagazine.com/wp-content/uploads/2018/03/eugene-tan-and-selina-ting.jpgEugene Tan and Selina TingEugene Tan and Selina Tinghttps://initiartmagazine.com/wp-content/uploads/2018/03/ngs-eugene-tan-1-e1521008620125.jpgNGS-Eugene-Tan-1-e15210086201252020-08-02T11:14:38+00:00monthlyhttps://initiartmagazine.com/2018/04/02/marta-gnyp-on-the-power-of-collectors/https://initiartmagazine.com/wp-content/uploads/2020/07/screen-shot-2018-03-31-at-10.31.38-am-e1522463875726.pngMarta Gnyp and Selina Ting2020-08-02T10:33:58+00:00monthlyhttps://initiartmagazine.com/2018/04/02/diana-widmaier-picasso-on-being-a-picasso/https://initiartmagazine.com/wp-content/uploads/2020/08/diana-widmaier-picasso-with-selina-ting.jpgDiana Widmaier Picasso with Selina Ting2020-08-02T10:33:39+00:00monthlyhttps://initiartmagazine.com/2018/04/05/nadia-and-rajeeb-samdani-on-the-recipe-for-a-successful-event/https://initiartmagazine.com/wp-content/uploads/2020/08/nadia-and-rajeeb-samdani.pngNadia and Rajeeb Samdani2020-08-02T10:33:32+00:00monthlyhttps://initiartmagazine.com/2018/04/03/jeff-koons-and-gazing-balls/https://initiartmagazine.com/wp-content/uploads/2020/08/jeff-koons-cobo-social.jpgJeff-Koons2020-08-02T10:33:03+00:00monthlyhttps://initiartmagazine.com/2018/04/05/aaron-cezar-on-why-the-importance-of-collectors-in-residence/https://initiartmagazine.com/wp-content/uploads/2020/08/aaron-cezar-with-selina-ting.jpgAaron Cezar with Selina TingAaron Cezar with Selina Ting2020-08-02T10:30:26+00:00monthlyhttps://initiartmagazine.com/2018/04/05/melati-suryodarmo-how-to-perform/https://initiartmagazine.com/wp-content/uploads/2020/08/melati-suryodarmo-with-selina-ting.jpgMelati Suryodarmo with Selina Ting2020-08-02T10:30:17+00:00monthlyhttps://initiartmagazine.com/2018/04/05/iwan-wirth-art-as-an-experience/https://initiartmagazine.com/wp-content/uploads/2020/08/iwan-wirth-with-selina-ting.jpgIwan Wirth with Selina TingIwan Wirth with Selina Ting2020-08-02T10:30:05+00:00monthlyhttps://initiartmagazine.com/2017/01/22/samson-young/https://initiartmagazine.com/wp-content/uploads/2020/08/white-throated-sparrow_670-1.jpgWhite-Throated-Sparrow_670-1https://initiartmagazine.com/wp-content/uploads/2020/08/white-throated-robin_670.jpgWhite-Throated-Robin_670https://initiartmagazine.com/wp-content/uploads/2020/08/to-look-and-to-know-or-amor-fati-part-a-7-1.jpgTo-Look-and-To-Know-or-Amor-Fati-Part-A-7https://initiartmagazine.com/wp-content/uploads/2020/08/redwing-blackbird_670.jpgRedwing-Blackbird_670https://initiartmagazine.com/wp-content/uploads/2020/08/pastoralmusic5.jpgPastoralMusic5Pastoral Music (But It Is Entirely Hollow) 親愛的朋友啊你在想什麼 (2014 – ) Research-in-progresshttps://initiartmagazine.com/wp-content/uploads/2020/08/among-the-destined-no.4.jpgHyperFocal: 0HyperFocal: 02020-08-02T10:11:24+00:00monthlyhttps://initiartmagazine.com/2017/05/11/in-venice-with-samson-young-and-kwok-ying/https://initiartmagazine.com/wp-content/uploads/2020/08/samson-young-kowk-ying-selina-ting.jpgSamson Young Kwok Ying Selina TingArtist Samson Young, with Curator Kwok Ying and Presenter Selina Ting2020-08-02T10:10:41+00:00monthlyhttps://initiartmagazine.com/2017/08/31/elmgreen-dragset-on-being-a-good-neighbour/https://initiartmagazine.com/wp-content/uploads/2020/08/elmgreen-and-dragset.pngElmgreen-and-DragsetMichael Elmgreen and Ingres Dragset with the Selina Ting in Venice 20172020-08-02T10:10:07+00:00monthlyhttps://initiartmagazine.com/2017/07/16/in-venice-with-jean-michel-othoniel/https://initiartmagazine.com/wp-content/uploads/2020/08/download.jpgJean Michel Othoniel and Selina TingJean Michel Othoniel and Selina Ting2020-08-02T10:09:40+00:00monthlyhttps://initiartmagazine.com/2017/06/23/in-venice-with-marina-abramovic/https://initiartmagazine.com/wp-content/uploads/2020/08/marina-abramovic.jpgMarina Abramovic2020-08-02T10:08:55+00:00monthlyhttps://initiartmagazine.com/2019/08/02/ahmad-fuad-osman-the-importance-of-being-free/https://initiartmagazine.com/wp-content/uploads/2020/08/551289.jpgAhmad Fuad OsmanAhmad Fuad Osman's 'Syhhh...Dok Diam Diam, Jangan Bantah. Mulut Hang Boleh Guna Untuk Cakap Yaaaa Saja, Baghu Hang Boleh Join Depa...Senang La Jadi Kaya!' (oil on canvas, 1999) (left) and 'Issshhhh...Busuknya!!! Hangpa Bawak Masuk (S)Apa Ni?!' (oil on canvas, 1999). -- ONG SOON HIN/The Star2020-08-02T09:36:00+00:00monthlyhttps://initiartmagazine.com/2019/02/02/richard-koh-my-collection-is-a-jigsaw-puzzle/2020-08-02T09:28:49+00:00monthlyhttps://initiartmagazine.com/2019/01/20/ali-and-amna-naqvi-experiential-collecting/https://initiartmagazine.com/wp-content/uploads/2020/08/screen-shot-2018-11-28-at-12.43.44-pm-copy.pngAli and Amna NaqviPortrait of Ali and Amna Naqvi. Photo Credit: Sakshi Verma2020-08-02T09:14:14+00:00monthlyhttps://initiartmagazine.com/2018/05/22/sanyu-a-modernist-dandy-in-paris/https://initiartmagazine.com/wp-content/uploads/2020/08/e5b8b8e78e89_e6969ce5809ae8a3b8e5a5b3_e6b2b9e5bda9e7b499e69cace7ba96e7b6ade69dbf_57x72_1950s-1965.jpgSanyuSanyu, Nude, 1950s-1965. 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Courtesy of Alexandra Munroe2020-08-02T06:29:32+00:00monthlyhttps://initiartmagazine.com/2016/03/25/philip-tinari-on-the-relationship-between-curators-and-artists/https://initiartmagazine.com/wp-content/uploads/2020/07/e794b0e99c8fe5ae87e88296e5838f-683x1024-1.jpgPhilip Tinari2020-08-02T06:29:22+00:00monthlyhttps://initiartmagazine.com/2016/03/24/strategies-of-collecting-with-legendary-auctioneer-simon-de-pury/https://initiartmagazine.com/wp-content/uploads/2020/07/06210423-story-image-1544_cover_675x429.jpgSimon de PuryAuctioneer Simon de Pury. Courtesy Tatler2020-08-02T06:29:10+00:00monthlyhttps://initiartmagazine.com/2016/03/25/niklas-svennung-galerie-chantal-crousel/https://initiartmagazine.com/wp-content/uploads/2020/07/niklas-svennung-galerie-chantal-crousel.pngNiklas-Svennung-Galerie-Chantal-Crousel2020-08-02T06:29:01+00:00monthlyhttps://initiartmagazine.com/2016/03/25/the-phenomenon-of-art-world-vip-with-harry-guhl/2020-08-02T06:28:52+00:00monthlyhttps://initiartmagazine.com/2016/03/26/nicolas-nahab-director-of-marian-goodman-gallery/https://initiartmagazine.com/wp-content/uploads/2020/07/nicolas-nahab-galerie-marian-goodman.pngNicolas-Nahab-Galerie-Marian-Goodman2020-08-02T06:28:41+00:00monthlyhttps://initiartmagazine.com/2016/03/26/massimo-de-carlo/https://initiartmagazine.com/wp-content/uploads/2020/07/56c198ec27b73_norm.jpgMassimo de Carlo2020-08-02T06:28:02+00:00monthlyhttps://initiartmagazine.com/2016/03/26/daisuke-miyatsu-on-collecting-with-a-budget/https://initiartmagazine.com/wp-content/uploads/2020/07/daisuke-miyatsu-collector.pngDaisuke-Miyatsu-Collector2020-08-02T06:27:30+00:00monthlyhttps://initiartmagazine.com/2017/03/23/alain-servais-what-is-happiness/https://initiartmagazine.com/wp-content/uploads/2020/07/alain-servais-video-1.jpgAlain Servais Videohttps://initiartmagazine.com/wp-content/uploads/2020/07/alain-servais-video.jpgAlain Servais Video2020-08-02T06:26:57+00:00monthlyhttps://initiartmagazine.com/2017/04/02/kim-and-lito-camacho-life-love-and-art/https://initiartmagazine.com/wp-content/uploads/2020/08/82-kim-and-lito-camacho-e1521635779286.jpgKim-and-Lito-Camacho2020-08-02T06:26:45+00:00monthlyhttps://initiartmagazine.com/2017/04/17/luc-tuymans-and-frank-demaegd/https://initiartmagazine.com/wp-content/uploads/2017/04/view.jpgLuc Tuymans and Frank DemaegdLuc Tuymans and Frank Demaegd at Zeno X gallery. Courtesy of De Tijd. https://initiartmagazine.com/wp-content/uploads/2020/08/1240.jpgLuc Tuymans and Frank Demaegd of Zeno X GalleryLuc Tuymans and Frank Demaegd of Zeno X Gallery2020-08-02T06:26:09+00:00monthlyhttps://initiartmagazine.com/2017/04/02/patrick-foret-on-art-basel-cities/https://initiartmagazine.com/wp-content/uploads/2020/08/maxresdefault.jpgPatrick Foret art Basel2020-08-02T06:25:59+00:00monthlyhttps://initiartmagazine.com/2017/02/07/why-are-artists-violent-people-vishal-k-dar-answers/https://initiartmagazine.com/wp-content/uploads/2020/08/vishal-k-dar-e1485165260734.jpgVishal-K-DarVishal K. Dar, Maruts – Storm Deities, 2016. Installation with beam lights and reflection pool. Image courtesy of Shanghai Biennale.2020-08-02T06:12:13+00:00monthlyhttps://initiartmagazine.com/2017/01/30/lorenzo-rudolf-on-marketing-southeast-asian-art-as-a-package/https://initiartmagazine.com/wp-content/uploads/2020/08/02-lorenzo-rudolf_fair-president_art-stage-singapore_8.jpgLorenzo-Rudolf_Fair-President_Art-Stage-Singapore_82020-08-02T05:47:22+00:00monthlyhttps://initiartmagazine.com/2016/12/12/audacity-and-sophistication-are-the-new-collecting-habits-in-asia/https://initiartmagazine.com/wp-content/uploads/2020/08/christies.jpgChristieshttps://initiartmagazine.com/wp-content/uploads/2020/08/8.cancan1998.jpg8.cancan19982020-08-02T05:41:12+00:00monthlyhttps://initiartmagazine.com/2016/07/31/marta-gnyp-on-good-and-bad-collectors/https://initiartmagazine.com/wp-content/uploads/2020/07/img_7496-e1469698051498-1600x1558-1.jpgMarta Gnyp2020-07-31T15:03:04+00:00monthlyhttps://initiartmagazine.com/2016/08/08/marta-gnyp-on-the-power-of-the-collector/https://initiartmagazine.com/wp-content/uploads/2020/07/feature-photo_kourpour-marta-patricia-e1596207586894.jpgFeature-photo_kourpour-marta-patricia2020-07-31T15:02:06+00:00monthlyhttps://initiartmagazine.com/2016/05/13/shumon-ahmed-new-conceptualist-of-bangladeshi-art-scene/https://initiartmagazine.com/wp-content/uploads/2020/07/when-dead-ships-travel2main.jpgWhen-Dead-Ships-Travel2MAIN2020-07-31T14:35:33+00:00monthlyhttps://initiartmagazine.com/2016/04/07/mplus-sigg-curator-pi-li/https://initiartmagazine.com/wp-content/uploads/2020/07/pili-2.jpgPili-22020-07-31T14:11:46+00:00monthlyhttps://initiartmagazine.com/2016/04/16/why-does-art-matter-to-a-corporate-ubs-answers/https://initiartmagazine.com/wp-content/uploads/2020/07/stephen-mccoubrey-1600x1065-1.jpgStephen-McCoubrey-1600x10652020-07-31T14:09:52+00:00monthlyhttps://initiartmagazine.com/2016/05/06/collector-daisuke-miyatsu/https://initiartmagazine.com/wp-content/uploads/2020/07/dasuike-miyatsu.pngDasuike Miyatsu2020-07-31T13:49:40+00:00monthlyhttps://initiartmagazine.com/2016/02/23/jackson-see/2020-07-31T11:58:21+00:00monthlyhttps://initiartmagazine.com/2016/02/05/nadia-and-rajeeb-samdani/https://initiartmagazine.com/wp-content/uploads/2020/07/nadia-and-rajeeb-samdani.pngNadia-and-Rajeeb-SamdaniNadia and Rajeeb Samdani at their Residence in Dhakahttps://initiartmagazine.com/wp-content/uploads/2020/07/das16_0800-2-e1596196303209.jpgDAS16_08002020-07-31T11:56:40+00:00monthlyhttps://initiartmagazine.com/2016/02/01/dhaka-art-summit-2016/2020-07-31T11:43:35+00:00monthlyhttps://initiartmagazine.com/2011/12/03/pierre-pradie-2/2020-07-31T11:03:43+00:00monthlyhttps://initiartmagazine.com/2011/12/04/pierre-pradie/https://initiartmagazine.com/wp-content/uploads/2020/07/portrait-pierre-pradie.jpgPortrait Pierre PradiePierre Pradié during the installation of FIGURES & CO, collection Pierre Pradié, Centre culturel de Cesson-Sévigné, 2006. Still image from FIGURES & CO., Un film de Joel Cano, 60 mn., Production MYFILMS, 2006.2020-07-31T11:01:18+00:00monthlyhttps://initiartmagazine.com/2011/10/06/herman-daled-2/2020-07-31T04:26:46+00:00monthlyhttps://initiartmagazine.com/2011/10/06/herman-daled/https://initiartmagazine.com/wp-content/uploads/2020/07/herman-daled.jpgHerman Daled and Hotel WolfersDora Garcia, "Film (Hôtel Wolfers)", still image, 35 mm film transferred to digibeta, black and white, 11'31", English spoken, 2007. Courtesy of the artist. 2020-07-31T04:25:08+00:00monthlyhttps://initiartmagazine.com/2011/11/14/dora-garcia/https://initiartmagazine.com/wp-content/uploads/2020/07/dora-garcia-2.jpgDora Garcia2020-07-31T04:22:04+00:00monthlyhttps://initiartmagazine.com/2012/03/28/delphine-coindet/2020-07-31T04:18:01+00:00monthlyhttps://initiartmagazine.com/2012/05/05/loris-greaud/2020-07-31T04:16:52+00:00monthlyhttps://initiartmagazine.com/2012/05/18/william-lim/2020-07-31T04:15:39+00:00monthlyhttps://initiartmagazine.com/2012/07/31/mathieu-mercier/https://initiartmagazine.com/wp-content/uploads/2020/07/mathieu-mercier.jpgMathieu Mercier2020-07-31T04:12:55+00:00monthlyhttps://initiartmagazine.com/2012/09/05/yannicke-and-wilfried-cooreman/2020-07-31T04:12:24+00:00monthlyhttps://initiartmagazine.com/2013/04/16/xavier-hufkens/https://initiartmagazine.com/wp-content/uploads/2020/07/xavier-hufkens3.jpgXavier Hufkens-Sterling Ruby_ Robert MapplethorpeSterling Ruby, Sterling Ruby & Robert Mapplethorpe. . Xavier Hufkens, Brussels, Belgium. Courtesy: the Artist and Xavier Hufkens, Brussels. Photo-credit: Allard Bovenberg, Amsterdam.2020-07-31T04:10:01+00:00monthlyhttps://initiartmagazine.com/2013/08/01/haroon-mirza/https://initiartmagazine.com/wp-content/uploads/2020/07/mirzpress-400x364-1.jpgmirzpress-400x3642020-07-31T04:08:19+00:00monthlyhttps://initiartmagazine.com/2013/07/12/michael-lynch/https://initiartmagazine.com/wp-content/uploads/2013/08/michael-lynch.jpgMichael LynchMr. Michael Lynch, CEO of West Kowloon Cultural District Authority since July 2011. Courtesy of West Kowloon Cultural District Authority.https://initiartmagazine.com/wp-content/uploads/2013/08/m-plus-view-from-island.jpgM Plus View from Islandhttps://initiartmagazine.com/wp-content/uploads/2013/08/m-plus-4.jpgM Plus 4https://initiartmagazine.com/wp-content/uploads/2013/08/m-plus-3.jpgM Plus 3https://initiartmagazine.com/wp-content/uploads/2013/08/m-plus-2.jpgM Plus 2https://initiartmagazine.com/wp-content/uploads/2013/08/m-plus-1.jpgM Plus 1https://initiartmagazine.com/wp-content/uploads/2013/08/michael-lynch-m-4.jpgMichael Lynch-M+ 4https://initiartmagazine.com/wp-content/uploads/2013/08/michael-lynch-m-3.jpgMichael Lynch-M+ 3https://initiartmagazine.com/wp-content/uploads/2013/08/michael-lynch-m-2.jpgMichael Lynch-M+ 2View of M+ from the Park at West Kowloon Cultural District in Hong Kong – next to a tree-lined avenue along the waterfront. © Herzog & de Meuron. Courtesy of Herzog & de Meuron and WKCDAhttps://initiartmagazine.com/wp-content/uploads/2013/08/michael-lynch-m-1.jpgMichael Lynch-M+ 1Main Entrance, © Herzog & de Meuron. Courtesy of Herzog & de Meuron and WKCDA2020-07-31T04:07:05+00:00monthlyhttps://initiartmagazine.com/2013/09/15/nathalie-fournier/https://initiartmagazine.com/wp-content/uploads/2020/07/nathalie-fournier-.jpgNathalie FournierLa collectionneuse Nathalie Fournier devant sa maison à Lyon. Photo par Selina Ting, initiArt Magazine. © initiArt Magazine 2013.https://initiartmagazine.com/wp-content/uploads/2020/07/nathalie-fournier-with-dog.jpgNathalie Fournier - with dogNathalie Fournier avec son chien Fufu. Photo par Selina Ting, initiArt Magazine. © initiArt Magazine 2013.https://initiartmagazine.com/wp-content/uploads/2020/07/nathalie-fournier-vanitas.jpgNathalie Fournier - VanitasSur la table au salon, une collection de vanitas. Photo par Selina Ting, initiArt Magazine. © initiArt Magazine 2013.https://initiartmagazine.com/wp-content/uploads/2020/07/nathalie-fournier-new-work.jpgNathalie Fournier - new workNouveau accrochage chez Nathalie Fournier, a l’entree une oevure de Ulla von Brandenburg et une sculpture de Anton Prinner. Aux escaliers les photos de Liz Deschenes et Gabor Osz.https://initiartmagazine.com/wp-content/uploads/2020/07/nathalie-fournier-living.jpgNathalie Fournier - LivingDans le salon un tableau de Wawrzyniec Tokarski. Photo par Selina Ting, initiArt Magazine. © initiArt Magazine 2013..https://initiartmagazine.com/wp-content/uploads/2020/07/nathalie-fournier-couloir.jpgNathalie Fournier - couloirDans le couloir à l’entrée de la maison, les photos des artistes Corinne Mercadier et Alberto Garcia Alix (au milieu), et une sculpture de l’artiste belge Fred Eerdekens. Photo par Selina Ting, initiArt Magazine. © initiArt Magazine 2013.https://initiartmagazine.com/wp-content/uploads/2020/07/nathalie-fournier-bureau-couloir.jpgNathalie Fournier - bureau couloir(A gauche) Au bureau une sculpture de Nathalie faite par l’artiste Lyonnais Daniel Firman (*1966, Fr). (A droite) Dans le couloir à l’entrée de la maison, les œuvres des artistes (à gauche) Jean Claude Palisse, (à droite) les photos de Corinne Mercadier et Alberto Garcia Alix, et une sculpture de l’artiste belge Fred Eerdekens. Photo par Selina Ting, initiArt Magazine. © initiArt Magazine 2013.https://initiartmagazine.com/wp-content/uploads/2020/07/nathalie-fournier-atelier.jpgNathalie Fournier - atelierAtelier pour les artistes en résidence. Le « work-in-progress “ de jeune artiste Nick Oberthaler (artiste en residence). Photo par Selina Ting, initiArt Magazine. © initiArt Magazine 2013https://initiartmagazine.com/wp-content/uploads/2020/07/nathalie-fournier-atelier-2.jpgNathalie Fournier - atelier 2Atelier pour les artistes en residence. Photo par Selina Ting, initiArt Magazine. © initiArt Magazine 2013.2020-07-31T04:06:18+00:00monthlyhttps://initiartmagazine.com/2013/09/22/ugo-rondinone/https://initiartmagazine.com/wp-content/uploads/2020/07/ugo-rondinone-birds.jpgUgo Rondinone - birds2020-07-31T04:03:19+00:00monthlyhttps://initiartmagazine.com/2013/10/27/albert-baronian/https://initiartmagazine.com/wp-content/uploads/2013/09/albert-baronian.jpgAlbert Baronian2020-07-31T04:02:15+00:00monthlyhttps://initiartmagazine.com/2013/09/30/daniel-templon/https://initiartmagazine.com/wp-content/uploads/2020/07/daniel-templon-brussels.jpgDaniel Templon - BrusselsView of the gallery space at Rue Veydt, Brussels. Courtesy Galerie Daniel Templon ©Corbisier & Associés architectes - photo Serge Brison.2020-07-31T04:00:53+00:00monthlyhttps://initiartmagazine.com/2009/09/16/zilvinas-kempinas/https://initiartmagazine.com/wp-content/uploads/2020/07/zilvinas-kempinas_beyondthefans.jpgBEYOND THE FANSZilvinas Kempinas. BEYOND THE FANS, 2013. Slow Motion 05.06. – 22.09.2013 Die Werke des in New York lebenden litauischen Künstlers Zilvinas Kempinas sind ebenso minima-listisch wie kinetisch. Er schafft mit einfachsten Mitteln komplexe und atmosphärische Raumsitua-tionen von grosser Schönheit, die Installationen spielen mit Luft und Leichtigkeit, Reliefs mit Zeit und Zufall. Die grosse Einzelausstellung im Museum Tinguely entfaltet sich sowohl in eigenen Räumen als auch im Dialog mit Werken Tinguelys.2020-07-31T03:58:05+00:00monthlyhttps://initiartmagazine.com/2011/04/09/jessica-warboys/https://initiartmagazine.com/wp-content/uploads/2011/04/jessica-warboys.jpgJessica Warboys2020-07-29T14:05:24+00:00monthlyhttps://initiartmagazine.com/2009/07/30/mario-garcia-torres/https://initiartmagazine.com/wp-content/uploads/2020/07/mariogarciatorres.jpgMarioGarciaTorres©Mario Garcia Torres, Preliminary Sketches from The Past and for The Future (Stedelijk Museum), 2007. B&W slide projection. Courtesy Galerie Jan Mot, Brussels2020-07-29T14:03:48+00:00monthlyhttps://initiartmagazine.com/2009/07/20/myths-of-conceptual-art/https://initiartmagazine.com/wp-content/uploads/2020/07/mariogarciatorres-news.jpgMarioGarciaTorres News2020-07-29T14:02:00+00:00monthlyhttps://initiartmagazine.com/2009/08/23/ming-wong/https://initiartmagazine.com/wp-content/uploads/2020/07/me-2018-1172x755-1.jpgme-2018-1172x7552020-07-29T13:57:55+00:00monthlyhttps://initiartmagazine.com/2009/11/02/chen-qiulin/https://initiartmagazine.com/wp-content/uploads/2009/07/chenqiulin.jpgChenQiulin2020-07-29T13:55:45+00:00monthlyhttps://initiartmagazine.com/2010/11/20/pierre-laurent-cassiere/https://initiartmagazine.com/wp-content/uploads/2020/07/pierre-laurent-cassiere.jpgPierre Laurent Cassiere2020-07-29T13:52:36+00:00monthlyhttps://initiartmagazine.com/2012/02/12/frederic-de-goldschmidt/https://initiartmagazine.com/wp-content/uploads/2020/07/frederic-de-goldschmidt.jpgFrederic de GoldschmidtThe art collector Frédéric de Goldschmidt in his loft in Brussels. Photographed by Selina Ting for initiArt Magazine.2020-07-29T13:40:36+00:00monthlyhttps://initiartmagazine.com/2011/07/30/angel-vergara/2020-07-29T13:26:43+00:00monthlyhttps://initiartmagazine.com/2011/03/29/alain-servais/https://initiartmagazine.com/wp-content/uploads/2020/07/alain-servais-1600x884-1.jpgalain-servais5Alain Servais with his collectionhttps://initiartmagazine.com/wp-content/uploads/2020/07/alainservais8.jpgAlainServais8Alain Servais, self-portrait (with Nathalie Fournier), in front of a work by Anish Kapoor.https://initiartmagazine.com/wp-content/uploads/2020/07/alainservais6.jpgAlainServais6Alain Servais creating the composition and anaylsing the dog, in the game installation of MIND-GAMES (2009) by Madelon Vriesendorp, in Arsenale, 53rd Venice Biennale 2009. Photographed by Selina Ting. ©InitiArt Magazine, 2011.https://initiartmagazine.com/wp-content/uploads/2020/07/alainservais3.jpgAlainServais3Living Room of Alain Servais, Brussels. Photograph by Selina Ting, 2009. Courtesy of Alain Servais. ©initiArt Magazine.https://initiartmagazine.com/wp-content/uploads/2020/07/alainservais2.jpgAlainServais2Corners of the living room in Alain's house. On the right, Claude Closky's collage of 1001 "things to do" cut out from magazines. Photograph by Selina Ting, 2009. Courtesy of Alain Servais. ©initiArt Magazine.https://initiartmagazine.com/wp-content/uploads/2020/07/alainservais.jpgAlainServaisAlain Servais creating the composition and anaylsing the dog, in the game installation of MIND-GAMES (2009) by Madelon Vriesendorp, in Arsenale, 53rd Venice Biennale 2009. Photographed by Selina Ting. ©InitiArt Magazine, 2011.2020-07-29T13:23:17+00:00monthlyhttps://initiartmagazine.com/2011/09/26/mircea-cantor/https://initiartmagazine.com/wp-content/uploads/2020/07/mirceacantor-seven-future-gifts.jpgMirceaCantor-Seven Future GiftsMircea Cantor, Seven Future Gifts (2008). Concrete, iron, 7 pieces of variable dimensions. © Mircea Cantor. Courtesy of the artisthttps://initiartmagazine.com/wp-content/uploads/2020/07/mircea-cantor.jpgMircea CantorMircea Cantor, Tracking Happiness, 2009, 11' Super 16mm transferred to HDCA. © Mircea Cantor. Courtesy of the artist2020-07-29T13:20:53+00:00monthlyhttps://initiartmagazine.com/2011/06/10/attila-csorgo/2020-07-29T13:14:17+00:00monthlyhttps://initiartmagazine.com/2011/09/05/samuel-rousseau/https://initiartmagazine.com/wp-content/uploads/2011/11/samuel-rousseau.jpgSamuel RousseauSamuel Rousseau, Tout Mon Amour, 20172020-07-29T13:10:46+00:00monthlyhttps://initiartmagazine.com/2011/10/08/guillaume-leblon/https://initiartmagazine.com/wp-content/uploads/2011/10/guillaume-leblon.jpgGuillaume Leblon @ Mass MoCAInstallation Images of Guillaume Leblon. 2020-07-29T13:08:29+00:00monthlyhttps://initiartmagazine.com/2011/10/11/damien-cabanes/https://initiartmagazine.com/wp-content/uploads/2011/10/damien-cabanes.jpgDamien Cabanes2020-07-29T13:00:31+00:00monthlyhttps://initiartmagazine.com/2011/01/24/hema-upadhyay/https://initiartmagazine.com/wp-content/uploads/2020/07/hu1.jpgHU12020-07-29T12:55:09+00:00monthlyhttps://initiartmagazine.com/2012/06/08/d-t-project-gallery/2020-07-29T12:26:43+00:00monthlyhttps://initiartmagazine.com/2011/05/15/philip-akkerman/https://initiartmagazine.com/wp-content/uploads/2011/04/philip-akkerman-self-portrait-2020-2.jpgphilip-akkerman-self-portrait-2020-22020-07-29T12:05:05+00:00monthlyhttps://initiartmagazine.com/2010/01/20/li-fang-capturing-the-ephemeral/https://initiartmagazine.com/wp-content/uploads/2020/07/lifang-05.01.2008-paris-chacun-130x81cm-huile-2008.jpgLiFang 05.01.2008 paris chacun 130x81cm huile 2008© LiFang 05.01.2008 paris chacun 130x81cm, huile sur toile, 20082020-07-29T12:03:20+00:00monthlyhttps://initiartmagazine.com/2009/11/27/elke-krystufek/2020-07-29T12:02:52+00:00monthlyhttps://initiartmagazine.com/2009/10/02/paul-chan-sade/https://initiartmagazine.com/wp-content/uploads/2020/07/paulchan.jpgPaulChan©Paul Chan, Sade for Sade's Sake, three-channel animation projection, 5hr45mins. Courtesy of the artist2020-07-29T12:00:24+00:00monthlyhttps://initiartmagazine.com/2009/09/04/pak-sheung-chuen/https://initiartmagazine.com/wp-content/uploads/2020/07/pak-sheung-chuen.jpgPak Sheung Chuen2020-07-29T12:00:06+00:00monthlyhttps://initiartmagazine.com/2009/07/12/alexander-calder/https://initiartmagazine.com/wp-content/uploads/2020/07/alexandercalder-small-sphere-and-heavy-sphere.jpgAlexanderCalder Small Sphere and Heavy Sphere©Alexander Calder, Small Sphere and Heavy Sphere, 1932-1933, Fer, bois, cordes, tiges et objets divers, H. 317,5 cm (dimensions variables) New York, Calder Foundation.2020-07-29T11:59:39+00:00monthlyhttps://initiartmagazine.com/2010/03/11/shen-yuan/https://initiartmagazine.com/wp-content/uploads/2020/07/shenyuan1.fb_.jpgshenyuan1.fb2020-07-29T11:46:50+00:00monthlyhttps://initiartmagazine.com/2012/04/05/andres-serrano/https://initiartmagazine.com/wp-content/uploads/2012/04/andres-serrano-piss-christ-1987.jpgAndres Serrano Piss Christ 1987Andres Serrano, (Immersions) Piss Christ, 1987. Photohttps://initiartmagazine.com/wp-content/uploads/2020/07/time-100-influential-photos-andres-serrano-immersions-piss-christ-80.jpgAndres Serrano Piss ChristAndres Serrano, (Immersions) Piss Christ, 1987. Photo2020-07-29T11:09:59+00:00monthlyhttps://initiartmagazine.com/2009/10/16/andrei-molodkin/https://initiartmagazine.com/wp-content/uploads/2020/07/news_molodkin_das_kapital.jpgnews_molodkin_das_kapital2020-07-29T10:35:37+00:00monthlyhttps://initiartmagazine.com/2011/07/17/mark-vanmoerkerke/2020-07-29T09:47:21+00:00monthlyhttps://initiartmagazine.com/2010/12/28/ai-wei-wei/2020-07-29T09:44:19+00:00monthlyhttps://initiartmagazine.com/2010/10/31/robin-rhode/https://initiartmagazine.com/wp-content/uploads/2020/07/robin-rhode.jpgRobin Rhode2020-07-29T09:41:16+00:00monthlyhttps://initiartmagazine.com/2010/08/26/hans-peter-feldmann/https://initiartmagazine.com/wp-content/uploads/2020/07/hpfeldmannwomenknees.jpgHPFeldmannWomenkneesHans Peter-Feldmann, 31 pairs of knees, 31 individual images, dimension varied. Courtesy of the artist.2020-07-29T09:39:37+00:00monthlyhttps://initiartmagazine.com/2009/12/18/the-60s-exposed/2020-07-29T09:37:45+00:00monthlyhttps://initiartmagazine.com/2009/07/02/53rd-venice-biennale/https://initiartmagazine.com/wp-content/uploads/2020/07/elmgreen-and-dragset_the-collector.jpgElmgreen and Dragset_The CollectorInstallation view of ‘The Collectors’ by Elmgreen&Dragset at the Danish and Nordic Pavilions via The Collectorshttps://initiartmagazine.com/wp-content/uploads/2020/07/53venicebiennale-collector.jpg53VeniceBiennale Collectorhttps://initiartmagazine.com/wp-content/uploads/2020/07/53venicebiennale-chu-yuan-lr-1.jpg53VeniceBiennale Chu Yuan LR©Chu Yuan, Constellation No.2, 2006. Installation, electrical appliances, dimension variable. Courtesy of the artist and Vitamin Creative Space, Guangzhou/Beijing2020-07-29T09:30:22+00:00monthlyhttps://initiartmagazine.com/2010/04/21/yan-pei-ming/https://initiartmagazine.com/wp-content/uploads/2020/07/yanpeiminginhisatelierparis2013.pngYan+Pei+Ming+in+his+atelier,+Paris+2013https://initiartmagazine.com/wp-content/uploads/2020/07/yanpeiming-ucca.jpgYanPeiMing UCCA©Yan Peiming, Exhibition view, Landscape of Childhood, 2009 UCCA. Courtesy of the artist and UCCA, Beijinghttps://initiartmagazine.com/wp-content/uploads/2020/07/yanpeiming-portrait-mort.jpgOLYMPUS DIGITAL CAMERA©Yan Peiming, Self-portrait for Monna Lisa's Funeral in the Musee du Louvre, May 2009. Courtesy of the artisthttps://initiartmagazine.com/wp-content/uploads/2020/07/yanpeiming-pope-2004-oil-on-canvas-280-x-240-cm.jpgYanPeiming Pope (2004), oil on canvas, 280 x 240 cm©Yan Peiming, Pope (2004), oil on canvas, 280 x 240 cm. Courtesy of the artist.2020-07-29T09:12:20+00:00monthlyhttps://initiartmagazine.com/2009/10/27/leanne-sacramone/https://initiartmagazine.com/wp-content/uploads/2009/10/fondation-cartier-born-in-the-street.jpgFondation Cartier Born in the Streethttps://initiartmagazine.com/wp-content/uploads/2020/07/fondationcartier.jpgFondationCartier©Joâo Wainer Sao Paulo, 2009. Courtesy Fondation Cartierhttps://initiartmagazine.com/wp-content/uploads/2020/07/fondationcartier-seen.jpgFondationCartier seen©Seen, Hand of the Doom, rework of the 1980 New York version by the artist. Fondation Cartier, 2009 Photo© Olivier Ouadahhttps://initiartmagazine.com/wp-content/uploads/2020/07/fondationcartier-13-under-ground-floor-a.jpgFondationCartier 13 under Ground floor a©Exhibition view, Born in the Streets - Graffiti, Fondation Cartier, Paris Photo© Olivier Ouadahhttps://initiartmagazine.com/wp-content/uploads/2020/07/fondationcartier-12-ground-floor-a.jpgFondationCartier 12 Ground floor a©Exhibition view, Born in the Streets - Graffiti, Fondation Cartier, Paris Photo© Olivier Ouadahhttps://initiartmagazine.com/wp-content/uploads/2020/07/fondationcartier-10-facade-a.jpgFondationCartier 10 Facade a©Exhibition View Born in the Streets – Graffiti, Fondation Cartier pour l’art contemporain, du 7 juillet au 29 novembre 2009 Photo© Olivier Ouadahhttps://initiartmagazine.com/wp-content/uploads/2020/07/fondationcartier-5.-montage.jpgFondationCartier 5. montage©Barry McGee, Untitled, Undated © Barry McGee https://initiartmagazine.com/wp-content/uploads/2020/07/fondationcartier-6.-vitch.jpgFondationCartier 6. Vitch© Vitche, Sao Paulo, 2006 © Vitche2020-07-29T09:11:24+00:00monthlyhttps://initiartmagazine.com/2010/01/26/the-painting-of-li-fang/2020-07-29T08:53:17+00:00monthlyhttps://initiartmagazine.com/interview/https://initiartmagazine.com/wp-content/uploads/2020/07/img_2396.jpgIMG_23962020-07-29T08:38:56+00:00weekly0.6https://initiartmagazine.com/contact/2020-07-29T08:36:20+00:00weekly0.6https://initiartmagazine.com/artmood/2020-07-29T07:23:42+00:00weekly0.6https://initiartmagazine.com/videos/2020-07-29T05:06:46+00:00weekly0.6https://initiartmagazine.com/2011/08/09/2011-venice-biennale/https://initiartmagazine.com/wp-content/uploads/2020/07/53venicebiennale.jpg53VeniceBiennale2020-07-28T08:52:18+00:00monthlyhttps://initiartmagazine.com/2011/02/28/meessen-de-clercq/https://initiartmagazine.com/wp-content/uploads/2020/07/meessendeclercq.jpgMeessenDeClercqOlivier Meessen (right) and Jan De Clercq, the driving forces behind the Gallery Meessen De Clercq. Photo by Ding Yang for InitiArt Magazine. ©InitiArt Magazine, 2010.2020-07-28T06:12:47+00:00monthlyhttps://initiartmagazine.com/2011/02/16/three-young-galleries/https://initiartmagazine.com/wp-content/uploads/2020/07/threegalleries.jpgJonas Zakaitis, Lilou Vidal, Barbara Cuglietta, Sebastien Ricou(From Left): Jonas Zakaitis of Tulips and Roses, photographed by Ding Yang for InitiArt Magazine; Lilou Vidal and Barbara Cuglietta of Galerie VidalCuglietta, photo provided by Galerie VidalCuglietta; Sébastien Ricou of Ricou Gallery, photographed by Ding Yang for InitiArt Magazine.https://initiartmagazine.com/wp-content/uploads/2020/07/sebastian-ricou-2.jpgSebastien Ricou 2Sebastien Ricou. Photographed by Alice Petraud for 7 Days in Belgium2020-07-28T05:58:30+00:00monthlyhttps://initiartmagazine.com/2012/02/10/lars-nittve/2020-07-28T04:35:42+00:00monthlyhttps://initiartmagazine.com/2013/04/09/katerina-gregos/https://initiartmagazine.com/wp-content/uploads/2020/07/art-brussels.jpgKaterina Gregos CuratorKaterina Gregos, independent curator and newly appointed the Artistic Director of Art Brussels 2013. ©Photo : David Plashttps://initiartmagazine.com/wp-content/uploads/2020/07/art-brussels-8.jpgArt Brussels 8View of the fair. Art Brussels 2012. Courtesy of Art Brussels.. https://initiartmagazine.com/wp-content/uploads/2020/07/art-brussels-7.jpgArt Brussels 7View of the fair. Art Brussels 2012. Courtesy of Art Brussels.. https://initiartmagazine.com/wp-content/uploads/2020/07/art-brussels-6.jpgKaterina Gregos 2Exhibition view of Speech Matters, the Danish Pavilion at the 54th Venice Biennale, 2011. Curated by Katerina Gregoshttps://initiartmagazine.com/wp-content/uploads/2020/07/art-brussels-5.jpgKaterina Gregos 1Exhibition view of Newtopia - The State of Human Rights, curated by Katerina Gregos. The exhibition was held from 01 September 2012 to 10 December 2012 in Mechelen, Belgium.https://initiartmagazine.com/wp-content/uploads/2020/07/art-brussels-4.jpgKaterina GregosExhibition view of Newtopia - The State of Human Rights, curated by Katerina Gregos. The exhibition was held from 01 September 2012 to 10 December 2012 in Mechelen, Belgium.https://initiartmagazine.com/wp-content/uploads/2020/07/art-brussels-3.jpgArt Brussels 3View of the fair. Art Brussels 2012. Courtesy of Art Brussels.. https://initiartmagazine.com/wp-content/uploads/2020/07/art-brussels-2.jpgArt Brussels 2View of the fair. Art Brussels 2012. Courtesy of Art Brussels.. 2020-07-28T04:34:13+00:00monthlyhttps://initiartmagazine.com/2013/02/28/nathlie-obadia/https://initiartmagazine.com/wp-content/uploads/2020/07/nathalie-obadia-c2a9luc-castel-2-rae-bd-e1596029557434.jpgNathalie-Obadia-©Luc-CastelNathalie Obadia photographed by Luc Castel. Courtesy Galerie Nathalie Obadia, Paris / Brussels. ©Luc Castel.https://initiartmagazine.com/wp-content/uploads/2020/07/nathalie-obadia-6.jpgNathalie Obadia 6Exhibition view "Loft", October 16 - December 18, 2010, Galerie Nathalie Obadia, Paris. Courtesy of the artist and the gallery.https://initiartmagazine.com/wp-content/uploads/2020/07/nathalie-obadia-5.jpgNathalie Obadia 5Installation View, Brenna Youngblood, Spanning Time, January 17 - April 6, 2013, Galerie Nathalie Obadia, Brussels. Courtesy of the artist and the gallery.https://initiartmagazine.com/wp-content/uploads/2020/07/nathalie-obadia-4.jpgNathalie Obadia 4Installation View, Brenna Youngblood, Spanning Time, January 17 - April 6, 2013, Galerie Nathalie Obadia, Brussels. Courtesy of the artist and the gallery.https://initiartmagazine.com/wp-content/uploads/2020/07/nathalie-obadia-3.jpgNathalie Obadia 3Installation View, Fiona Rae, New Paintings,February 22 - April 25, 2013. Galerie Nathalie Obadia, Bourg-Tibourg, Paris, 2013. Courtesy of the artist and the gallery.https://initiartmagazine.com/wp-content/uploads/2020/07/nathalie-obadia-2.jpgNathalie Obadia 2View of the gallery space of Nathalie Obadia Gallery in Rue Bourg-Tibourg. Courtesy Galerie Nathalie Oabdia, Paris/Bruxelles.2020-07-28T04:29:58+00:00monthlyhttps://initiartmagazine.com/2010/10/22/erika-hoffmann-koenige/https://initiartmagazine.com/wp-content/uploads/2020/07/erikahoffmann99-00.jpgErikaHoffmann99-00Front: Ernesto Neto, Colonia, 1988.Back: Ernesto Neto, Nave Óvulo Organóide, 1998 and Paff! Paff Paff Puff, Puff, Puff….Puff O Rio N Coras The river doesn’ t run, 1998. left: Richard Artschwager, Chair/Chair II, 1987/90. On wall: Georg Herold, Untitled , 1991/92, Untitled, 1990, Herschel-Painting, 1990, Untitled, 1991/92. ©Sammlung Hoffmann. Courtesy of the Sammlung Hoffmann.2020-07-27T10:12:41+00:00monthlyhttps://initiartmagazine.com/2010/12/10/gilles-fuchs/https://initiartmagazine.com/wp-content/uploads/2020/07/gillesfuchs-5.jpgGillesFuchs 5Gilles Fuchs, art-collector, photographed by Kai Junemann for ADmagazine.2020-07-27T09:52:18+00:00monthlyhttps://initiartmagazine.com/2011/01/16/pierre-cornette-de-saint-cyr/2020-07-27T09:29:26+00:00monthlyhttps://initiartmagazine.com/2011/04/26/walter-vanhaerents/https://initiartmagazine.com/wp-content/uploads/2020/07/waltervanhaerents.jpgWalterVanhaerentsWalter Vanhaerents on the roof top of the art space with the work of Ugo Rondinone, Cry Me a River, 1997, ed. 1/2., aluminium structure, neon, plexiglass 430 x 700 x 13 cm. Courtesy of the artist and the Vanhaerents Art Collection.https://initiartmagazine.com/wp-content/uploads/2020/07/waltervanhaerents7-1.jpgWalterVanhaerents7Disorder in the House, installation view of Takashi Murakami's works: Hiropon 1997, oil acrylic, fiberglass, iron, AP of ed. 3+1 AP. sculpture: 186 x 115 x 105 cm, base: 33 x 66 x 66 cm. (Right) My Lonesome Cowboy, 1998, Courtesy of the artist and The Vanhaerents Art Collection. oil acrylic, fiberglass, iron, ed. 3/3 +1 AP. sculpture: 254 x 117 x 91 cm, base: 21 x 145 x 110 cm.https://initiartmagazine.com/wp-content/uploads/2020/07/waltervanhaerents6.jpgWalterVanhaerents6Installation view of David Altmejd exhibition, Colossi, (2010 - 2012). in the project room. Image courtesy of the artist and the Vanhaerents Art Collection.https://initiartmagazine.com/wp-content/uploads/2020/07/waltervanhaerents5.jpgWalterVanhaerents5Installation view of the second group exhibition in Vanhaerents Art Collection, Sympathey for the Devil (2011 - 2013). Image courtesy of the Vanhaerents Art Collection.https://initiartmagazine.com/wp-content/uploads/2020/07/waltervanhaerents4.jpgWalter Vanhaerents in his libraryWalter Vanhaerents at the interview with Selina Ting for InitiArt Magazine in his office / art space in Bruxelles. Photograph: ©Selina Ting for InitiArt Magazine, 2011.https://initiartmagazine.com/wp-content/uploads/2020/07/waltervanhaerents3.jpgWalterVanhaerents3Farhad Moshiri, Run Like Hell, 2008. Oil, acrylic and knives on canvas on board, 201 x 454 cm. Courtesy of the artist and The Vanhaerents Art Collection.https://initiartmagazine.com/wp-content/uploads/2020/07/waltervanhaerents2.jpgWalterVanhaerents2Front view of The Vanhaerents Art Collection in Brussels. Image courtesy of the Vanhaerents Art Collection.https://initiartmagazine.com/wp-content/uploads/2020/07/waltervanhaerents1.jpgWalterVanhaerents1Installation view of the first group exhibition in Vanhaerents Art Collection, Disorder in the House (2007 - 2011).(from left) Doug Aitken, Rise, 2001; Takashi Murakami, Hiropon (1997) and My Lonesome Cowboy (1998); Chiho Aoshima, Rinko-Chan on the building, 2005. Centre: Katharina Fritsch, The Dealer, 2011; Ceiling: Michael Sailstorfer, Bethlehem, 2004. Centre Back: Christopher Wool, Untitled (DRNK), 1990. Right: Tom Sachs, McDonald's Refrigerator, 2003. Image courtesy of the Vanhaerents Art Collection.2020-07-27T08:06:50+00:00monthlyhttps://initiartmagazine.com/about/https://initiartmagazine.com/wp-content/uploads/2020/07/img_5075.jpgIMG_50752020-07-26T14:13:04+00:00weekly0.6https://initiartmagazine.com/2010/11/13/sofia-hulten/2020-07-26T04:50:08+00:00monthlyhttps://initiartmagazine.com/2011/05/13/aurelien-froment/https://initiartmagazine.com/wp-content/uploads/2020/07/aurelien-froment-frobel-frobeled-4e-lst140905.jpgaurelien-froment-frobel-frobeled-4e-lst1409052020-07-25T07:38:41+00:00monthlyhttps://initiartmagazine.com/2013/01/30/francesco-vezzoli/https://initiartmagazine.com/wp-content/uploads/2020/07/francesco-vezzoli-3.jpgFrancesco-Vezzoli 32020-07-24T03:46:19+00:00monthlyhttps://initiartmagazine.comdaily1.02022-03-29T12:35:01+00:00