All articles filed in Art and Film

Sade for Sade’s Sake (2009), a three-channel animation projection that Paul Chan (b. 1973) presented for the 53rd Biennale di Venezia this year, depicts shadow-like human bodies in physical movement. These figures talk, argue, and plea with one another, walk and crawl, beaten and whipped, and engaged in sexual activities and religious rituals. Interspersed among them…