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Art critic Barbara Pollack coined the term “Post-Passport Identity” to describe a generation of emerging Chinese artists born in the 1980s and 1990s, who are the subject of her latest book “Brand New Art from China – A generation on the rise” (I.B. Tauris, Autumn 2018).
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“In our family, you cannot escape Pablo Picasso”, which is exactly the case for Diana Widmaier Picasso, granddaughter of Pablo Picasso and Marie-Thérèse Walter. We spoke to the art historian and founder of DWP editions on her intertwining life with the legendary artist.
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今年二月「M+希克藏品」在香港正式展出之前，已是滿城風雨，而所有的討論、爭辯幾乎都是因「政治」兩個字而起。從這個中國當代藝術館藏與香港本身的關係、2,300萬美金的交易金額是否合理，到展覽會否受到政治審查、是否延用「正確就是錯誤（Right is Wrong)」名字、香港能否守護這個館藏的將來，甚至質疑西九文化區存在的必要性等，話題焦點只在政治，偏離藝術。展覽在政治氣候不明朗的香港登場，成為了支持和反對的分野線。 我們找來了負責研究這個館藏和策劃展覽的M＋希克高級策展人皮力先生，從藝術史的角度討論「M+希克藏品」的意義和價值。
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Mario García Torres has double personality, but he never suffers from schizophrenia. On the other hand, he integrates well the dual self and finds its exorcism in art. His work bears a weighty historical allusion but executed in a playful manner not without wit and humour.
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