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The dame in performance art, Marina Abramović presents her new work – Standing Structures for Human Use dale serie Transitory Objects for Human Use (2017) in Intuition, the grand exhibition curated by Axel Vervoordt and Daniela Ferretti at the Palazzo Fortuny, to the Biennale audience in Venice.
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CoBo’s Director, Selina Ting, met with artist Samson Young and Curator Kwok Ying for a Live from Venice Session on the 2017 Hong Kong Pavilion, Songs for Disaster Relief.
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Selina Ting speaks to artist Luc Tuymans & founder of Zeno X Gallery Frank Demaegd on the keys to a long lasting relationship between artists and dealers, at CoBo Challenge at Art Basel Hong Kong 2017
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Selina Ting speaks to Patrick Foret, Director of Business Initiatives at Art Basel, on the latest development of the Art Basel Cities Buenos Aires project at CoBo Challenge during Art Basel Hong Kong 2017
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How did the inseparable Kim and Lito first meet? The Camacho couple reveals their trajectory of everlasting relationship and collecting to CoBo’s Director Selina Ting.
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Does Art Make you a happier person? Does owning art make you richer? Doesn’t living with art give you a sense of fulliflment? CoBo Social’s Director and Editor-in-Chief, Selina Ting, speaks to Belgian collector Alain Servais – CoBo Challenge at Art Basel Hong Kong 2017 on the subject of Happiness.
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In this interview with Marta Gnyp, collector and art historian, we start to step into some of the art world’s taboos. Marta, with her wit and humour and openness, shares with us her acute observation on the market dynamics and the phenomenon of collectors’ rising power.
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In this interview with Marta Gnyp, collector and art historian, we start to step into some of the art world’s taboos. Marta, with her wit and humour and openness, shares with us her acute observation on the market dynamics and the phenomenon of collectors’ rising power.
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What makes someone a good collector and a collection a good collection? Am I good enough as a collector, and have I gained a good reputation as a collector in the art world? These are the questions that even the most adept and serious collectors will wonder about from time to time.
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For many art fair trotters, the Art Basel Unlimited is the most enjoyable sector of the whole fair business. Its popularity and success has prompted other fairs to adopt the same strategy of giving space (though in a more modest manner) for ambitious museum-like presentations which are not necessarily marketable but are good for marketing.…
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