Mario Garcia Torres

Mario García Torres has double personality, but he never suffers from schizophrenia. On the other hand, he integrates well the dual self and finds its exorcism in art. His work bears a weighty historical allusion but executed in a playful manner not without wit and humour.

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Mario Garcia Torres and the Forgotten Myths of Conceptual Art

The Brussels gallery Jan Mot says he is “as mischievous as he is thoughtful”. Some magazines described him as a “branchitude” (trend-itude) artist from L.A. But today he is neither trendy nor mischievous… jetlag kills his charm and my questions on “history” makes him a serious school boy. Sitting in the café on the 6/F of Pompidou Centre, with a light yellow pullover around his neck and a white T-shirt that goes only with a pair of worn-out blue jeans, Mario García Torres enjoys the best view of Paris and the gentle sunshine of the early Parisian summer.

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53rd Venice Biennale – Making Worlds

Taking Making Worlds as its title, the curator of the 53rd Venice Biennale (2009), Daniel Birnbaum, said that “a work of art represents a vision of the world and if taken seriously it can be seen as a way of making a world.” As an exhibition, it expresses the curator’s wish to emphasize the process of creation.

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