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The paintings of Li Fang look familiar. Yet this familiarity is deeply infused with an intangible, uncanny mood. Selina Ting for initiArt MagazineNovember 2009 Click Here for an interview with Li Fang Moving away from her well-received depiction of the ephemeral presence of urban passers-by, Li Fang’s recent work concentrates on the more subtle psychological activities…
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The paintings of Li Fang look familiar. Yet this familiarity is deeply infused with an intangible, uncanny mood. Moving away from her well-received depiction of the ephemeral presence of urban passers-by, Li Fang’s recent work concentrates on the more subtle psychological activities of individuals. Based on photos of her family and acquaintances, Li Fang captures…
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六⼗年代的倫敦，是新流⾏文化的締造及消耗場。現正於倫敦國家俏像博物館 (National Portrait Gallery) 舉⾏的「Beatles to Bowie – The 60s exposed」展覽，便以流⾏⾳樂為軸心，展示影像、⾳樂、時裝及現場演出如何炮製⼀代巨星，⽽這些流⾏偶像及樂隊⼜如何創造了Swinging London，並以⾳樂改變了世界。
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Elke Krystufek’s work is highly controversial. She is entrenched in the idiosyncratic struggle between sex, art and money. Her work warns that when a portion of the triad breaks down the remnants are left to fend for themselves. In the interview, Elke Krystufek talks with us about Female Sexuality and Social Taboo.
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In late June, Chen Qiulin (b. 1975) flew to New York to prepare for her second solo show in one of the most important galleries in New York, Max Protetch Gallery. On view for the first time was a series of new photographs and videos document rituals being carried out by two couples, and more importantly, is a series of new figurative papier-mache sculptures
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The Fondation Cartier in Paris is presenting the exhibition Born in the Street – Graffiti (July 7 – November 29) which brings to light the extraordinary development of an artistic movement that was born in the streets of New York in the early 1970s to rapidly become a worldwide phenomenon. Yet, despite its immense popularity, this essentially…
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Selina Ting Oct 2009 In the Russian Pavilion, Andrei Molodkin (b. 1966) is showing alongside 6 compatriots, Pavel Pepperstein, Alexey Kallima, Irina Korina, Gosha Ostretsov, Anatoly Shuravlev and Sergei Shekhovtsov. Entitled “The Victory over the Future”, a name borrowed from a futurist opera “Victory over the Sun” in 1913 which was an omen of impending…
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Sade for Sade’s Sake (2009), a three-channel animation projection that Paul Chan (b. 1973) presented for the 53rd Biennale di Venezia this year, depicts shadow-like human bodies in physical movement. These figures talk, argue, and plea with one another, walk and crawl, beaten and whipped, and engaged in sexual activities and religious rituals. Interspersed among them…
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In Venice, the young artist from Lithuania is conquering the senses of visitors by offering an ultimate sensual experience to them. The New York-based artist Zilvinas Kempinas (b. 1969) present his new installation Tube (2008) in the Lithuania Pavilion at the renaissance building Scuole Grande della Misericordia. Tube, made of videotape, looks more like a translucent tunnel of parallel lines, invites visitors to walk through it, to experience “a new sense of space and one’s body in a moment of time.”
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