蔣志:內在的風景

蔣志在魔金石空間的最新展覽「注定」,其錄像裝置在同一個空間中放了兩個螢幕呈現:一邊是一對男女幾近自虐式的身體探索;另一邊卻是荒無一人的陌生星球,分別了精神和象徵兩個世界。放在螢幕前的LED燈箱,滾動著文字,成為了解讀錄像的一條線索。

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M+Sigg高級策展人皮力 —— 修正中國當代藝術始點

今年二月「M+希克藏品」在香港正式展出之前,已是滿城風雨,而所有的討論、爭辯幾乎都是因「政治」兩個字而起。從這個中國當代藝術館藏與香港本身的關係、2,300萬美金的交易金額是否合理,到展覽會否受到政治審查、是否延用「正確就是錯誤(Right is Wrong)」名字、香港能否守護這個館藏的將來,甚至質疑西九文化區存在的必要性等,話題焦點只在政治,偏離藝術。展覽在政治氣候不明朗的香港登場,成為了支持和反對的分野線。 我們找來了負責研究這個館藏和策劃展覽的M+希克高級策展人皮力先生,從藝術史的角度討論「M+希克藏品」的意義和價值。

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Yan Pei-Ming : Studio Visit

One of the most dynamic and experimental Chinese painters in the international art scene, Yan Pei Ming is particularly known for his epic size paintings of iconic figures, Mao Zedong, Bruce Lee, Obama, and his father and self-portraits. His expressive style and controlled palette reflect a connection to the aesthetic and cultural climate of China…

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Li Fang – Capturing the Ephemeral

The paintings of Li Fang look familiar. Yet this familiarity is deeply infused with an intangible, uncanny mood. Moving away from her well-received depiction of the ephemeral presence of urban passers-by, Li Fang’s recent work concentrates on the more subtle psychological activities of individuals. Based on photos of her family and acquaintances, Li Fang captures…

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