Tintin Wulia sees 1001 Nights as stories of survival, while her 1001 Martian Homes for Indonesian Pavilion at 57th Venice Biennale represents a century of oral family histories with 3 pairs of works.
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Tintin Wulia sees 1001 Nights as stories of survival, while her 1001 Martian Homes for Indonesian Pavilion at 57th Venice Biennale represents a century of oral family histories with 3 pairs of works.
Read MoreFor the 57th Venice Art Biennale, the French pavilion has been transformed into a sound box: a soundscape enclosed in a wood and fabric shell.
Read MoreCoBo’s Director, Selina Ting, met with artist Samson Young and Curator Kwok Ying for a Live from Venice Session on the 2017 Hong Kong Pavilion, Songs for Disaster Relief.
Read MoreSelina Ting speaks to artist Luc Tuymans & founder of Zeno X Gallery Frank Demaegd on the keys to a long lasting relationship between artists and dealers, at CoBo Challenge at Art Basel Hong Kong 2017
Read MoreSelina Ting speaks to Patrick Foret, Director of Business Initiatives at Art Basel, on the latest development of the Art Basel Cities Buenos Aires project at CoBo Challenge during Art Basel Hong Kong 2017
Read MoreHow did the inseparable Kim and Lito first meet? The Camacho couple reveals their trajectory of everlasting relationship and collecting to CoBo’s Director Selina Ting.
Read MoreDoes Art Make you a happier person? Does owning art make you richer? Doesn’t living with art give you a sense of fulliflment? CoBo Social’s Director and Editor-in-Chief, Selina Ting, speaks to Belgian collector Alain Servais – CoBo Challenge at Art Basel Hong Kong 2017 on the subject of Happiness.
Read MoreWith the increasing importance of Southeast Asian countries in the global economy, contemporary art created in these emerging scenes is also gaining its firm grounding in the international art market. To sell art from the region, according to Lorenzo Rudolf, a titanic figure in the art business, one has to brand it under the package “Southeast Asian art” because no one single country could survive solo in the keen competition.
Read More古典樂出身的楊嘉輝,半隻腳在音樂廳;半隻腳在白盒子,遊刃於五線譜,但更醉心於突破框框,以自創的音樂系統自由遊走於聲音與視覺,建制內外也是他的表演場地。
Read MoreIn this interview with Marta Gnyp, collector and art historian, we start to step into some of the art world’s taboos. Marta, with her wit and humour and openness, shares with us her acute observation on the market dynamics and the phenomenon of collectors’ rising power.
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